ENCONTROS (3/3)

 Back at the hotel, after Henrica and Anselmo's banquet, Roberta called her mother in Rio to find out about her son; then she took a shower and lay in bed in her nightgown --- the air conditioning turned up to maximum --- waiting for Johnny to come and fuck her, in vain. After snorting two lines of cocaine, which she took from her suitcase, she went down to the hotel bar and started drinking one whiskey after another, claiming that she "needed to reflect." In her room, she looked at Johnny's guitar on the sofa: distorted trash and noises stretched out in the primitive vacuum of rhythm and blues, jazz, rock (Blue Note, Wall Street and all those Jews from New York). She thought about Elvira, remembered the book, remembered Adorno and the Cultural Industry; Heidegger, Hitler, the Vril energy: "The Parisians need gas," Artaud wrote to Hitler... from the asylum. She opened the book where she had left off and read until bedtime. He remembered K's book. It seemed strange to him to start reading one before finishing the other. He thought of young K, there in front of him, shirtless, tanned and full of energy, talking a lot: eggs, eggs, eggs! He thought of K's own eggs, of the energy produced in his testicles rising up his spine, until it became "Speech" --- he masturbated for almost half an hour.

When Johnny returned from the hotel bar, Roberta was asleep, dreaming turbulently --- she woke up when he shook her:

‘’It’s time. Dinner at Celsão and Solange’s house, remember?’’

At seven o’clock at night, the taxi was waiting at the door. In front of the hotel, there were tables from bars and restaurants; in the background, a beautiful stretch of sea shrouded in darkness blew its wind incessantly through the women’s hair and the coconut trees. She sat in the back seat. The taxi left: destination: Beach Place Suites, Pituba.


ROBERTA

(the humidity in the air, the sea wind, the night sea breeze, the heat, gave Roberta’s agitated thoughts an illusion of incisiveness that she had only experienced indirectly throughout the day, reading Elvira’s book and talking to K; at that moment, in the kitchen of the apartment with Solange, they were making coffee while fertilizing the subconscious with their accounts of recent events, and so on)

No, my friend --- not exactly promising much, and for some time now perhaps tending towards a calm and gradual capitulation. I knew Johnny before this existential crisis of his: a charming, intelligent, thoughtful, sensitive man; but the life of a top jazz musician is still fueled by dust and whiskey, just like in the old days, I always have to pull him out of some black hole in my soul, enter it with my tympanic membrane and, sharing a spiritual labyrinthitis, roll with him back and forth, until I bring him back to reality. Besides, he spends more time in New York than in Rio, and I don't have the money to go there every year; and even when he pays for my tickets, it's a pain --- I don't always feel like going.

Besides, you know: I have those other lovers.


Comentários

  1. Q

    (? --- married too --- picks you up at home and brings you back --- big belly, little conversation, no feelings, works with some ease)

    Indecent? Do you think? What world do you live in, Solange? Know that all our colleagues in the department are more or less like that --- at least those who didn't enter menopause willingly.

    SOLANGE

    (gradually fearing revelations of that nature, as they were made by her friend. Had she been drinking? Apprehensively calculating the distance to the balcony, the speed and the hum of the wind in the ears of the other people in the house; the journey of the words spoken by the two through the air of the room --- full of visitors --- to the balcony, where Johnny and Celsão were drinking and talking).

    I don't think anything, friend. News to me.

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  2. ROBERTA

    (fed up with philosophical drunkards who take themselves seriously; her mind focused on the taste of gossip without sensitivity; her feminine, vampiric desire being encouraged; her words were indistinct, against her friend's reticent tendency: the hotel in Rio Vermelho, where they were staying, was starting to seem more like a sickroom to her, from all the drinking and sniffing of Johnny)

    I was born, raised and still live in Urca. I was accustomed to a routine of baths and open windows, leafy trees in the middle of the street and walls covered in moss from the extinct Atlantic forest --- and Johnny now only lives with seasickness, impregnated, mixed with morbid exhalations, a lost soul. That bearish breath, that glassy, ​​lost-in-the-space look, breathing heavily over that guitar, on the edge of the bed, spreading those sheet music on the floor, that sweet scent of hashish and whiskey --- all the time I feel that, suddenly, you know?, I don't know, a feeling of instability, a bad premonition, a feeling of support. Is he going to have an overdose?, tell me?

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  3. SOLANGE

    (had her friend Roberta now become an unfamiliar ghost on the loose? The indiscreet debate insisted on happening. Solange wanted to talk about her research, her book; Roberta, about an abject world of surfaces, which justified any baseness)

    The rich develop and feed a bad conscience, it's normal. It's practically the only non-material thing they have in their lives, this phosphorescent excrescence around their physical brain, resulting from the spirit of competitive revenge of the world they live in --- living in a fragmented sentimental dimension, overcoded by social and advertising garbage, dilated in space, liquid in time, limited on all sides by a binary self-reflexive network, reduced to the feeling of profit or loss, of being on top or bottom, victorious or defeated; so it's normal, predictable that they go through periods of mental absence, disorientation, depression and anxiety, whenever they risk adding some depth to their own lives outside the script; even when Hollywood and American TV circulate merchandise disguised as romanticism and social sensitivity, the psychic result is that people are left wondering, "How much more romantic or human does he or she think they are than ME ME ME?"

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  4. ROBERTA

    If it were merely a mental absence, it would be fine. He actually became a lady-in-waiting (laughs) --- not to mention a perfect eunuch! (more laughter)

    SOLANGE

    (less and less willing to reciprocate her friend's "trust" by talking about herself and her own relationship. Eyes under arched eyebrows, pale face)

    ...

    ROBERTA

    Maybe everything is really calmly dying out between Johnny and me

    (with fearlessness and insistence, lively and impertinent in the circles she set in motion --- now seeming feared by Solange)

    Earlier today's lunch was symptomatic. Johnny and Anselmo disappeared into the suite and stayed there talking intimately, smoking. I was left in a ridiculous vacuum, filling the room with ladylike pleasantries so as not to embarrass Henrica. It was only when her nephew came back from the pool and we chatted a bit --- a young writer, you know, handsome, big, athletic, a great lover of laughter and teasing --- that I had a little fun. It's a shame he left so suddenly.

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  5. SOLANGE

    (slapping her forehead, going to the kitchen door and coming face to face with Célia, her daughter)

    Did you hear that, my daughter?

    (with a ridiculous exasperation in her eyes, as she identifies K's passage in the story)

    CÉLIA

    (the amount of forgiveness in the upper echelons of Salvador is due to people's money --- thought Célia: between the kitchen and the living room, talking to everyone and no one at the same time)

    K is always appearing and disappearing from everywhere at the same time --- very little trace: where could he be living now? If he comes to my party, with Rita, I'll try to find out... so we can stay away from him.

    When it comes to K, we should stick to the essential points, or we'll never understand anything.

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  6. ROBERTA

    So you also know the guy?

    SOLANGE

    He was my student, in Juiz de Fora.

    CÉLIA

    And he's dating a friend of mine, Rita.

    SOLANGE

    That's dangerous to say

    CÉLIA

    At least, she broke off the engagement after she met him at a nightclub --- K always laughing at the pomp and grandeur in which Rita lived. I wouldn't doubt that some of the boys at Celsão know him too, at least by sight.

    Speaking of which, how was your week, Alê?

    (Alê and her friend in the room, with other people --- all of them in a complicit silence, full of scraps of conversations fished out of the air)

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  7. ALÊ

    (family gatherings: not exactly the cancerous certainty of social unpleasantness --- but she couldn't avoid the aphasic interruptions, with which she gave her silences the expression of a voltaic intensity, predisposed to the hysterical scream that suddenly erupts and abolishes something slow and viscous that had been growing around her head)

    What did I do this week? Like what, for example? Why are you asking me that?

    (the air of anxiety and contrition with which Célia had asked the question now pricked her inside, with each word Alê said)

    I don't know: I trained a lot, I listened to music.

    (silent interruption: 1 minute)

    (next to Alê, the still unnamed friend tries to remember details of the week, faced with the inevitable embarrassment --- the two were examined critically by the other women, much older)

    I read a story about vampires (Alê said suddenly); I went --- we went (looks at her friend) to the mall with, what's her name again?, and we met the, who are they again?, where are they from?, oh yeah: at the gas station across the street, one of those nights, wasn't it yesterday? --- the gang gets together there sometimes, and we talk (laughs) so, why exactly?

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  8. FRIEND (no name)

    (avoiding turning the social arena into a battlefield between good and evil, while Alê follows her every word with a certain approval in his eyes)

    And what a strange couple they've formed since then... it almost seems like an older person's problem---except that there's nothing wrong with that, they're nothing: they're the children of the owners of things, with a social media itinerary linked to parties, events and trips (lots of trips to the beach, you know?). And gossip---at the moment, she's Fernando's girlfriend, who's flirting with everyone.

    ALÊ

    (a trembling gleam in his eyes, now, imagining how exhausting a romantic relationship is---the father?---Solange?---the brother?---and this Célia, now?---there weren't any good examples, just pretensions and philosophizing about a failed sector of almost everyone's life)

    By the way, he also never stops liking my photos.

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  9. FRIEND (no name)

    (keeping an appearance of solicitude, all malicious undertones)

    Subliminal? His car has air conditioning. I've never heard of him raping any of those girls --- if he was cheated on a few times, he didn't deserve it.

    ALÊ

    (boredom, fatigue, chronic anxiety; guilty?)

    His new girlfriend is short, cruel like in a soap opera --- vulgarly beautiful. He's not quite a prince, but he deserves less humiliating treatment. Everyone notices what's going on. He'll disappear from Instagram at any moment.

    Do you know him, Demétrios?

    DEMÉTRIOS

    (returning to the living room with her boyfriend)

    I don't know. By sight, I think so. Everyone knows each other by sight, in Salvador. However, I'm just the DJ at these people's parties --- I never really know who people are. They're all very similar, if you want my opinion, always revolving around the same subjects and axes.

    CÉLIA

    (her new question finding a cold reception among the young people in the room)

    What are these parties like for you?

    ALÊ

    (new aphasic interruption, looking at the floor: 5 minutes. TOTAL SILENCE)

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  10. FRIEND (no name)

    What? The raves? Funk dances, dance floors, black music for middle-class whites.

    DEMÉTRIOS

    (so many oddities mixed with the reality of his answer --- and his effort to smile, to seem friendly)

    An empty space occupied by drunken bodies and deafening music --- dancing aimlessly and some scenes of jealousy. There are security guards nearby, no threat of fights comes to fruition. The police pass by the door all the time, while alcohol does its work on the minds of the youth.

    CÉLIA

    Maybe alcohol and drugs serve anywhere in the world to give a sense of novelty to these worn-out pleasures that fill the adolescent psyche with frustrated shadows, a repetition recycled a thousand times, which gradually depresses expectations.

    Or maybe I'm exaggerating a little: love is also about exchanging ideas, communion, camaraderie, laughter.

    ALÊ

    (thinking: what an imbecile madam, alienated from reality. Feeling a cold, self-conscious virtue running through her own blood, which makes her feel different from both Célia and the youth she speaks of)

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  11. You have to go and see it from beginning to end to understand. Until ten at night, all these places seem like normal bars, where you can sit and chat --- then the true darkness, the true face of youth, begins to appear imperceptibly, and in an instant everything is in delirious darkness until the sun rises; close to dawn, the mortal remains of youth begin to drag themselves to the trash can of their homes.

    Whether or not they take drugs makes little difference in these environments, if you ask me. Drugs are just a little more trash than the trash that the internet, universities, the job market and the media have stuffed into those heads.

    ROBERTA

    (thinking: a deep noise emitted in the direction of the balcony)

    Ugh!

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