CITY OF DALLES
After considering that the Self (Moi) was a synthetic and transcendent production of consciousness (in L.U. – Logical Investigations) Husserl returns, in Ideen, to the classical thesis of a transcendental Self that would be as if behind each consciousness, that would be a necessary structure of such consciousnesses, whose radiations (Ichstrahl) would fall upon each phenomenon that presented itself to the field of attention. “It will help your understanding” (I told her) to also see Epictetus and Syrus – the excessive electric lighting now in focus on the interlude entitled “truck journey” (thinking of Hood River and how melancholy it would have been to stop and sleep there). As I write this, my thoughts play with the noises at the edges of the tents. K-lakk… making rain with the thought. “I was raised in Kansas City, Jackson County (she said) and my place of origin is Texas” – or Bakersfield (I thought) or Modesto, or Delano – the city had been remade four times in my mind as I wrote this, four kisses she had given me in total. Indeed, consciousness is defined by intentionality, and I spent another night alone on the road. Consciousness unifies itself (I thought) concretely, through a play of transversal intentionalities that are concrete and real retentions of past consciousnesses. Phenomenology of the gathering of perceptual traces in consciousness, phenomenology and reincarnation. Thus, consciousness is perpetually sent back to itself; to say "a consciousness" is to say the entire consciousness, the entire psychic fabric of the superconscious entity. Lattice. Vedic soma. Original sap of the intellect; consciousnesses as travelers on the dark sea of consciousness—the second—the third attention—the seventh attention totally without Self—and this singular property of psychic purification belonged to consciousness itself (I thought) "whatever (even) its relations with the Self..." "I'm going to The Dalles," said the girl. "A small town of farmers and lumberjacks." But when we reached the foot of the hill, her brother and I got out of the wagon to smoke. "The horses here walk with difficulty." he said, stepping on and rolling the pebbles on the ground. “They must have fed them sawdust (I thought)—thin and sweating profusely on their necks, while she looked at me for the thousandth time, pulling on the reins and squeezing tightly. “It doesn’t bother me at all,” she said. “Go ahead!” she ordered. Now in the indestructible heart of the road (four gates, four towers, four cigarettes, and four fertilizations). Clear dawn over the latrine the next day. Ahead in the great Columbia Valley! – Look (I said at coffee break) DO YOU SEE?? – but perhaps she needed to squint a little harder. – Every thought grasped in intuition has an I (I said) and besides, the essence of the gearshift will never be the disappearance of the I... nor the exhaustive classification of “totally Iless” states of consciousness of the most pedantic esotericism. Believe me unconditionally (I said). The essential principle of phenomenology is “ALL CONSCIOUSNESS IS CONSCIOUSNESS ‘OF SOMETHING’.” Safeguard and Cogito at Tonompah Falls. “This cake will still be good when I get to that mouth-shaped hole where the water falls hundreds of feet above the rocky cliffs, worn down in layers by the patient and terrifying Columbia River, above the frozen shallows, evaporating into a celestial mist as it falls.” I didn’t have any broken bones, and this (I thought) was just a bunch of bumps in the natural world. “My horse and I had gone away (…) one night at dinnertime,” I recited from memory, whistling the old melody of my childhood—through whose torrent I seem to have remembered it too (my frozen forehead, a nightmarish night screaming, “My mother is a fish, My mother is a fish. My mother is not in that coffin! My mother doesn’t stink like that. My mother is a fish!”). Now it seemed we were at the bottom of the valley, looking up at the ancient rocky banks. I couldn’t see what lay in the darkness above. “The earth belongs to the living,” (I thought), “profit on everything it creates from nothing.” METATHEMENON (we haven’t gotten past the last chapter yet!); Le Paradis n’est pas artificiel (...) I slept soundly as the bus passed through Hood River, the Dalles. But this time I dreamed of Voltaire wanting to finish his Louis Quatorze quickly... I woke up where the Columbia was heading to meet the Snake, on the brown plains of Pasco and, in Yakima, a little later. On the horizon, the misty mountains called Horse Heaven—and to the south (Oh, Oregon!)—Whitman National Park.
Post script
ResponderExcluirThe man not accustomed to the CULTIVATION OF CONSCIOUSNESS, who does not EXERCISE HIMSELF CORRECTLY, is a stranger to the universe, belongs to a small world of objects, full of meals and news that enclose him in the lack or impossibility of ecstasy, his energy is almost all trapped in the aura of concern and possessiveness that radiates from things and people --- without the brilliance that springs from the continued transmutation of raw cum into consciousness, the unaccustomed man becomes thrown away in the ignorance of the paralyzing servitudes of the EXERCISE OF CONSCIOUSNESS, which is in truth a subtle accumulation of distant silence exercised in CONCENTRATION and increased relationship with oneself (there where any thing or person brings invasions and interceptions from the external world and nullifies the gradual work - there where a stubborn pseudo-dignity emerges from the bonds of vanity that the world of men makes spin falsely around its own blind axis, diminishing the thoughts of the mind and body to their minimum level, daily and paralyzed by blind, machinic occupations, subject to standardized subjective inoculation and canceled in its possibilities of liberation ----
------This escape into the realm of worldly objects and speaking people causes, in the long term, the bankruptcy of thought and a complete immobility in the field of the PRACTICE OR TECHNIQUE OF CULTIVATION OF SELF AND CONSCIOUSNESS---the bankruptcy of all propositions that pretended to animate that part of reality where each person has their share of materialistic ruin consummated by time, with mere social mobility or the accumulation of money unable to reactivate the fragments at stake.
ResponderExcluirIt is worth remembering here Lazzarato's recent critique of the CRISIS OF LEGIBILITY among unions, left-wing parties, as well as most current left-wing thinkers linked to critical theory, such as Rancière, Virno, Zizek, Badiou, and Butler, who to this day have been unable to interpret or offer solutions, as they remain trapped in a LOGOCENTRIC vision that fails to take into account the essential elements for the functioning of capitalism and, therefore, for the ordinary living conditions of the world's population, elements essential for the functioning of capitalism. of capitalism and politics that are OF THE ORDER OF LANGUAGE. In this way, these authors failed to address the relationship between capitalism and PROCESSES OF SUBJECTIVATION, precisely the theme we are dealing with here, especially in Foucault (Greeks and Romans of the two centuries before Christ) and in the techniques of directing Toltek consciousness.
Here bursts forth the ADVENTURE OF THE STOIC, the adventure of humor, of a kind of ZEN-STOIC (also in Zen, the famous problem-proofs, the questions and answers, the KOAN, demonstrate the absurdity of meanings, show the meaninglessness of designations).
ResponderExcluirReturned to the SURFACE (that of pure events, of pure singularities taken in their random element, independent of the people and things that embody, act, and effect them), the Stoic discovers there the event-objects, all communicating in the void that constitutes their substance.
THE EVENT is the identity of form and void.
This is very similar to the Tibetan Varjrayana.
"The EVENT is not the object as designated, but the object as expressible or expressed, never present, always already past and yet to come, as in Mallarmé, valid by its own absence or its abolition, because this abolition (abdicatio) is precisely ITS POSITION IN THE VOID as PURE EVENT (dedicatio)''
Here are notes I made on Canavieiras beach while reading Bataille's book, which certainly created an original form of SELF-CULTIVATION, albeit heavily influenced by the passions of aesthetic modernism. Bataille frequently draws on the Hindu path known as DEVAYANA, which constantly works with the dramatization and representation of the initiatory process.
ResponderExcluirDistant, socially distant life ---------------------------- Adorning oneself with unusual rules of ASCESIS ---------------------------- the power of KNOWLEDGE OF THE SECRET MAKES ONE SHINE --------------------------- SHINE CONCENTRATING ON OCCULTIST MEDITATION, WHICH IS A FULL-BODY TRANCE, A FREQUENCY TRANCE OF SUPER-ACCELERATION OF THE NERVOUS SYSTEM THROUGH KUNDALINI-SHAKTI ------------------ BODY TRANCE, here is the first relaxation produced by the secret, its technique of ecstasy
(here are some interspersed images: perhaps transcribed in full from Bataille's book, whatever):
"mountain roads
through the clouds
clinging to the slopes"
and
"crowded, miserable cities,
the proliferation of misery
into the dirt road"
(I don't practice photography of the hunger aesthetic type because I always avoid photographing people, whenever possible I isolate the photo, and misery appears only as space --- an aesthetic no less impactful, but empty, I am a photographer of ghostly caliber, all the empty photos of people seeming like spaces inhabited by invisible forms of energy that proliferate in the vegetative and aeolian silence of the transfusions of light and climate between heaven and earth --- in the middle, an uninhabited territory like in those lucid dreams in which there is no one, as in the region of the yellow dunes between the parallel lines in Castaneda, the wall of fog that precedes them, and which represent only the ability to move lucidly in a dream state, since interactions with people in dreams quickly dissolve concentration and the dream itself)
ResponderExcluirCONTINUED!
ResponderExcluirInfinite complications of the human face (which I avoid photographing), whose loss of light begins in the disoriented work of the GAZE. It is the attachment to the GAZE that people resent energetically, the selfish and attached short-sightedness, clinging to the weakening of the excessive propagation of one's own social and socializing image: deviations, escapes, deceptions, sudden fears, rejections, exclusions, aggravations of apathy, leveling of hatred, egomaniacal outbursts, compulsive adherence to the surfaces of discourses or speak of the environment. This is the "work" (paralyzing servitude) of the GAZE in everyday life, where the IMAGES to which it attaches are all previously manipulated, socially subjected, and obliging a machinic servitude based on subjective flattening.
IMAGES ---------------------------------uncertain to the same degree as OPENING
IMAGES --------------------------------- that internally CARBURE shocks, isolation, resignation, anxieties, depressions, excitements, comings and goings, speeds and slowdowns------------------------ an entire substrate that served as the "last resort" for any READINESS or PERCEPTIVE MANAGEMENT ---------------------------- the search for well-being complicated by its attachment to IMAGES as DESIGNATIONS and MEANINGS.
Returning to Deleuze, in the same series of Humor, of Logic of Sense, we read that "..........................in the art of ZEN, not only the art of drawing where the brush directed by an unsupported fist balances FORM with VOID and DISTRIBUTES the SINGULARITIES OF A PURE EVENT in a series of fortuitous touches and "hairy lines", but also the arts of the GARDEN, of the bouquet and tea and of archery or swordsmanship, where the "bursting of iron" arises from a WONDERFUL EMPTINESS. Through the abolished significations and the lost designations, VOID is the place of the sense or of the event that is composed with its own non-sense, THERE WHERE THERE IS NO PLACE BUT THE PLACE. THE VOID is itself the paradoxical element, the non-sense of the surface, the random point always displaced from where the EVENT AS SENSE springs forth............................................................................... It is less about reaching the IMMEDIATE than about determining THIS PLACE in which the IMMEDIATE remains 'immediately' as UNATTAINABLE:
ResponderExcluirthe surface on which the VOID is made and every EVENT with it, the border like the SHARP CUT of the taut string of a bow. Painting without painting, non-thought, non-mind, a shot that becomes a non-shot, speaking without speaking: not at all the ineffable in height or depth, but rather THIS BORDER, this surface on which LANGUAGE BECOMES POSSIBLE, and in doing so, it matters nothing more than an IMMEDIATE OR DIRECT SILENT COMMUNICATION, since it could not BE SAID (written or spoken) except by resurrecting all the meanings and designations abolished by the TECHNICAL MANAGEMENT OF CONSCIOUSNESS IN SEARCH OF OPENING
ResponderExcluir