MANHATTAN 3

 


What was I doing on the Brooklyn Bridge? There were still a few hours to kill that afternoon before heading to Times Square; an hour of deep trance, looking above me at the immense web of that bridge and the ice cream shop by the river: "December," I thought, "I wonder if it's going to start snowing a little?" Feeling a little strange after a dinner party at Barbara Berenson's house last week, I'll never forget: taking a taxi with M. Berman to 45 Sutton Place South: a literary party for someone named Nick, apparently 
I was friends with some celebrities who were also there, but I didn't know who they were either. Barbara invited us to spend Christmas with her and her family at her home in Montauk, on the easternmost tip of Long Island: a waterfront property that included a main house with three smaller houses and the caretaker's house: we'll get there... but I was still staring absently at the opposite bank of the river (the experimental boy throws a phallus-shaped grenade at Christopher Columbus's mother, burying the Americas; the wind made it as if it were minus 15 degrees). I had just read in the newspaper an article about a cousin of Barbara's secretly selling her diamonds on Madison Avenue to help her husband's congressional campaign, and I thought back to Barbara's apartment and that party. How rich people love to talk about servants during lunch and dinner: there were six servants serving canned food and Moët-Chandon Champagne. Victor Blythe was there, looking a little older and heavier; He was talking loudly at Barbara's table and Berman's English boy was trying to be charming at another table, even though he had been passed over; he asked Barbara if she could take him to the other table to introduce him to the author and she said no. I was sitting on a sofa with two paintings on the wall: Degas's Absinthe and Renoir's Cup of Chocolate, thinking, "She has these paintings in her house: it's unbelievable." Miss Berman reappeared after a while and took me to drink champagne with her around the bar that had been set up; soon more people began arriving. One of the models who walked through the door caught my eye: her name was Diana Dodass, and I was sure I'd seen her at a strip club in Chelsea where I'd gone alone ten days earlier; she was as tall as she was thin, and I was so bored that night that I spent the entire show watching her rub her ass and pussy against the stage floor. Miss Berman was drinking more and more. "I like you more than you know, K. I never feel 100 percent safe with you," she said. "I'll only spend Christmas at Barbara's if you go too," I replied, changing the subject a little. – I'm a little tired of traveling: we go everywhere and it's always the same thing, the same person opening the same suitcases (you're right: find a corner somewhere and create your own inner space, yet all the garbage comes after you: television, the global village, and everything else.)” She said, finally speechless. “He he... no one has traveled more than I have in recent years,” I commented, watching from the twentieth-floor window the bluish garments of night stitched together by the bright dots of buildings stretching across the city’s dirt and trash. I added: “The reason unusual and surprising things aren’t done anymore isn’t that they’re particularly impractical, but that most people don’t have the imagination to conceive of them.” But my comment struck her as “common,” and she pretended not to care. “I only like men who kiss as a means to an end.” —she said, running her hand along my neck, and concluded: —When I'm with you, I say: "K and I are the only real artists in the world," and when I was with John (the English boy), I said: "You and I are the only ones who understand high society," and when I'm alone, I say to myself: "Yes, Berman, you are unique." —I laughed, pretending to see some sense in what she was saying.

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  1. She made provocative gestures with her mouth at me. When she decided to kiss me publicly for the first time there, her ex at the other table saw her and said to Victor Blythe, "She really deserves some kissing." But when she pushed me into a room and for fifteen minutes "wouldn't let me out," Victor said he was so pissed. How we laughed in that room throughout this transition period. There were other rooms with people inside during that party. A double extravaganza by Berman took us on a tour among those strange people: pick-me-up with a spoon under some noses and marijuana. "Well, so, is my hair messed up?" – Berman asked me every few minutes, touching up her lipstick (CUT: When I finally got up from the Brooklyn Bridge and staggered off, I was like a man under anesthesia who had managed to escape the operating table; everything seemed distant and meaningless on the street, and I had an incredible difficulty coordinating the perceptions that, by my usual reflex calculation, would mean people, cars, buildings, and time. I lit a cigarette: “Hello, Melissa, how are you?” and she would return that enigmatic, invisible smile on the other end of the line. But I hate talking on the phone and didn’t care. “That will happen later,” I thought, “under the mighty --------------------

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  2. ------------------------ spotlights and rotating lights of P.43, with a few inches of wooden insulation from the bar marking a mystical circle between us.” Berman was the one who called me and insisted again that I already had enough money to regenerate my wardrobe. “But I don’t have a wardrobe, I only have a backpack and an iron,” I replied, trying to escape the fine men’s fashion on 57th Street and Fifth Avenue (Michael Kors, Bill Blass, Liz Claiborne, Calvin Klein, Ralph Lauren, and haute couture at stratospheric prices). She said she would be late that night, and I continued walking to the bus stops, cursing and distilling thoughts that I would later need to explain to myself before bed, because I had been studying English through some historians of civilization at the public library after buying a fake green card in Jamaica, Queens (Freud, Toynbee, Burckhardt, or Spengler); and some parallel forays into the books of Adorno and Marcuse that I already knew: after After two weeks of this philosophical diet, I rebelled against so much boredom and limited myself to reading Meister Eckhart in Latin: the Sermons and the Instructional Lectures.

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  3. Still, hanging out with all these genuinely prim New Yorkers, I was learning something about the subtleties of being truly "chic." Berman, to me, was the classiest woman among them (she read far more than the others), but in the sense the term is used on the streets of New York: she had "fierceness." When things didn't go her way, she'd get a little stressed, but she'd quickly come around and bounce back; Barbara made me think more of a scientific Cinderella, with her head always held high and a diamond rose in each eye, but she was the one I wanted. I cross the street and enter the P.43 building, onto the great Ibiza dance floors of the powdered sex crowd; speakers glued together like double barrels of whiskey, bathed at that time of night in a tepid boudoir glow. "It's still early," I thought: just ghosts waltzing in a sweet, bubblegum-scented haze. Miss Berman hasn't arrived yet. The new cold snap is the only topic among the girls who work with me at the bar; the only male bartender besides me on the club's second floor has become a taxi driver for a Bronx fleet. Amid the drum and bass beats of the sound check, I hear an ambulance rumbling outside, followed by cars ------------------

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  4. --------------------------------------of firefighters and police sirens; the electronic waltz pierced with anonymous anguish. Berman isn't at the club yet: I think of her lying on her bed reading a book, or having sex with a boxer... I don't think so: one of the bartenders mentions that she saw her there earlier, leaving for happy hour at the Top of the Tower, in honor of Tom Castelli, the new editor of *** and a possible hook for the American Council of the Arts, which isn't the New York Council on the Arts, but manages considerable funds and distributes money to anointed artists. "A memorable view and alcoholic-pianistic splendor," I calculate: the bartender next to me, Florie, might know a few more details: Florie has a wide mouth and blue eyes and is fresh as a geranium when she pronounces the words that interest me: "Do you really think she won't come tonight, Florie?" I ask; she doesn't think so: "Do you think she'll spend the night with someone?" —I insist, and she starts laughing, and so do I, thinking about an all-night fuckfest in that beautiful apartment on 77th and Fifth Avenue. —Do you often cry when you spend too much time alone in your room on West 9th, K? —Florie asked me unexpectedly.

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  5. I hear the rain pattering softly outside, its drums fast and dull, and as I look into her eyes, I think for a split second that I'm going to fall in love with her. "Never," I reply. She laughs. "Florie," how did I never notice you here before? "Well, I cried a lot when I lived like this, handing out chips in Las Vegas," she says, sweat dripping from her eyes and rosewater peeling from her petals, the conversation perhaps revolving around calluses from her past that don't interest me, the DJs scrutinizing our approach through the haze of gum with gelatinous, nosy eyes. Her face is open to mine in a cold smile. "Well," I think, "I guess she's kind of challenging me, trying to make me broader." The question marks in our masked eyes communicating the mutual loneliness of our souls, secretly promising a bit of tact, dialoguing with the precipitation and the enigma. "I know everything about you and her, K," Florie says, following an unintelligible ritual of interpersonal sorcery. I pretend to laugh (but I don't want to), tracing my steps in the quicksand of her words. "I don't understand," I protest, and she simply says, "I really need my job here, K, let's get back to work."

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  6. , and disappeared into the kitchen with insinuating swiftness: pure self-indulgence, an efficient, fluttering stealth, like a "see you later" filled with "goodbye"; something gliding (I thought) magnanimous and sad. "I'll still offer her a few hits of a joint and see what happens." But, at that moment, the only real-life thing I was missing behind that bar was a shot of cocaine and a trip to the bathroom to pee. Florie!, what a thing: a kind of charade that cascaded like a waterfall in my mind throughout the night until early morning; Florie's telepathic detonations and the clumsy fervor of her mime as she made the drinks, looking at me half-sideways, dispensing with word-for-word acting with sharp, ironic facial expressions and icy smiles. The rose that bloomed amidst corruption, and I was supposed to believe that everything would suddenly change when I took her for myself, simply by loving and being loved. At one in the morning, however, when I returned from the bathroom, nothing had changed except my thoughts, enduring Melissa leaning across the bar in front of me, saying she'd read and reread The Doctrine of No Mind and how good it was to be here with me now and not be stoned on anything. "But this is already your sixth beer," I said.

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  7. Her face turned to me in profile, the girl was strange in her beauty and confusion. The second-floor door was yanked open, and the figure of a tall young gay man blocked the entrance. Soon, one of Victor Blythe's "friends" appeared, accompanied by Berman, and introduced her to the tall young man who appeared to be a boyfriend; Victor's friend was quite lanky and harmlessly hugged Berman from behind. Melissa realized I was watching the action from a distance and said, "Roman Polanski (once) was accused of raping a thirteen-year-old girl he took to Jack Nicholson's house in 1977, and the next day, the police went to the actor's house looking for the girl because her parents had filed a complaint (they arrested Anjelica for cocaine possession, and a few weeks later, Polanski was seen at the Oscars on bail, grabbing an actress friend of his from behind and saying (laughing) that he was going to rape her)." And she began laughing in my face. “You did it, I’m feeling jealous,” I said. “His name is Jean Lambert (Berman and I stopped by his house in Brussels,” Melissa said, “earlier this year.”

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  8. He lives in a penthouse in a ten-story building above his father's bank. Unbelievable, so much art, from Van Gogh to Picasso, and breeding of thoroughbred horses in France and late-period Lichtensteins. "I don't like Pop Art," I told Melissa. Melissa retorted, "The still life on the bathroom door is charming." "But I don't like it," I repeated. She continued, "Jean's room was behind a bookshelf in the library, a secret apartment within another: one room for his regular boyfriend (the tall one) and another for his one-night stands; after dinner at a little bistro in the Galleria, we walked through the arcades and stopped at a gay bar, and Jean bribed the cutest boy in the house, and off they went to his room." Melissa said, "At the door of the nightclub, looking me in the face (Berman), everyone was kind of on the defensive, everyone was working mentally, everyone was practicing being elusive and evasive (Florie)." Berman and I met Victor at Barbara's party, and he was in a terrible state; by the end of the night, he was still drinking, talking about models he'd promoted in recent campaigns, and complaining, "I'm so successful, I don't know what else to do." "He's going sick and crazy," I said to Melissa, but I didn't hear her reply. She was laughing.

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  9. I spent about forty minutes making drinks one after the other, dividing my field of vision between Florie, mute and frantic, beside me, and Berman chatting with new people in the distance. Pâmela (the Brazilian model Victor had promoted to "renowned model of the moment") was now next to Berman; this model wasn't wearing the right makeup (I thought at the time: that's why she didn't look her best; she wanted to be an actress—she told us at Barbara's party), and Berman, for a moment, thought she was complaining that Barbara was rich but wouldn't be good enough to boost her career, so she left and went to the party of a guy named Keith, a young film director, and was probably now telling Berman that Keith's party was great and that (he!) would be good for her. In fact, they came to the bar as a group, and I could hear the whole conversation. Berman said, “Up until the seventies, movie directors used to be masculine, sullen, macho types, but now they’re all these gay little guys going around kissing actresses in the French way, but they still think they’re macho.” Pamela laughed -------------------------

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  10. ------------------------ with her diamond earrings, apparently confused by those comments, now unsure where she should be: the drunken model inhabiting the air in search of studios, didn't even greet me. Berman didn't either. Melissa had a point, after all. Berman was volcanic ash being blown this way and that by the winds of the art trade. "The economics of collecting the 'latest word' in art is irrational; it simply doesn't exist. Until the late seventies, the price of a new Lichtenstein or a new Stella wasn't determined by market demand, because there isn't really a market; it's almost always the same idiot buyers, about forty or fifty people wanting to build a meaningful collection or track avant-garde fetishes—at least that's how it was: the new Lichtenstein!, the new Poons!, the new Rauschenberg!, the new Dine!, the new Oldenburg!—this limited, headless competition is what drove prices up in galleries, the resale value always falling; to support such a marketing hologram.

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  11. The media joined in the frantic juggling act, mafia-like promotion of the "grand spectacle" of purchasing reproductions of banal objects by... for example, Johns, which then became "publicly collected" with inexplicable and filthy pomp. As Berman spoke, the club was invaded by people with increasingly sophisticated looks; she progressively adopted an air of maternal benevolence as she got drunk and attracted the attention of her young companions, voluptuously presiding over the drinks Florie and I made and placed on the bar, or the light supper coming from the kitchen in the back: Dominican sancocho; Cuban mandongo; Mexican pollo picado with fries; Colombian sesos soufflé. Berman and Melissa drank and watched with amusement as people devoured these delicacies. "A friend of mine from college said a rave review of the sculptures you bought appeared in the Los Angeles Times." "The guy's from South Carolina, right?" Melissa asked Berman. "I'll take the opportunity to go to 57th Street tomorrow (laughs), they'll take the bait..." Berman replied.

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  12. “If she invites me, I’ll go,” I thought: Saturdays in New York are fun in those antique shops with a faint golden glow here and dark red leather marquetry there (and galleries and more -----------------

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  13. --------------------------galleries full of busty Renaissance nymphets through the windows, sitting cross-legged with Pre-Raphaelite hair: the pathetic cultural nymphet of New York...). – You have to catch the "filling" of contemporary art, that kind of end-of-the-party feeling, the damned banal unreality of it all, find your "shtik!" (laughter), that somewhat vulgar Lindner quality (Melissa and I laughed), but without that metallic rigidity, a bit like Miró, but "sexy." – It was incredible to hear Berman talking: if I were a visual artist, I would excuse myself to the bathroom and hear a gunshot. Shortly after, some of those people said they wanted to smoke, and Berman took them to the office downstairs; soon after, she sent someone to get me; I went downstairs and took a bag of marijuana from my backpack. "Who did you get so much from, K?" Melissa asked me. "My friend Betty Holmes, from Harlem," I replied.

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  14. Miss Berman scratched her head and walked away. "And you carry all that around?" Melissa asked again. "No," I said. "I sell it." Only Melissa heard: she laughed, how she laughed. And she said: "When Dennis Hopper was directing Junkie, the William Burroughs biography, Andy Warhol told him he should cast Mick Jagger in the lead role (laughs), but the lead role already belonged to Hopper himself (a nasty fight (laughs)." After smoking a few joints, I said I'd better go upstairs so as not to upset the other bartenders. Heading to the elevator and then walking through the crowd on the dance floor to the bar was like zigzagging through all the intricate passageways of an ocean liner during a storm.

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