VIDAL, Juiz de Fora, June 2009



Let's just say that from our first collective encounter, on the first day of class, in the first year of law school, in the room where we all met, this friend of ours, whom I'll call here by the nickname we gave him, Sponge Bob (because he drank horribly and physically resembled the character) had become a sort of mascot for us, a being riddled with serious intellectual limitations and psychological problems, whom we carried with us wherever we went, day or night. Bob came (it was unbelievable) from Acre, where his father owned a huge cattle ranch, and he lived with his family on Santo Antônio Avenue, parallel to Rio Branco, in a very chic and equally huge apartment. We were block neighbors, and we saw each other a lot, a relationship that continued unchanged throughout our time at law school until today. He was our richest friend, besides Demétrios, the son of a contractor, whom we befriended later, after K was no longer studying at our college. The fact that we were all three—me, K, and Bob—die-hard Vasco fans, united us irrevocably in our suffering and psychotic madness over the years.

One day, after we'd already graduated from law school, Bob stopped by my house around lunchtime and convinced me to go with him to the new shopping mall in town, on Avenida Independência, which had recently opened and neither of us had been there before. It was a Friday, and we decided to have lunch there over a few beers. His car, at that time, was already a social distinction that K (who still knows nothing about cars) and I considered "exaggerated"—we were his best "poor friends." Over time, Bob began attending parties and clubs for the city's wealthy (as his social status seemed to demand), to which neither K nor I agreed to go, even when he insisted. I even went to a few, but bitterly regretted it. K, no, never went to any. From time to time, something natural would happen: Bob would reappear, bored, complaining about everything in life and begging K and I to go out together, because he “couldn’t stand those people anymore” and “those parties”, after which he felt (according to him) “his life fading away in a hangover of meaningless echoes”, and in this he knew that the only lively place in the city where the three of us could meet was the Cultural Bar, the maximum nightlife that K and I could stand in JF (apart from the Wednesday samba at Musik).

Well, that day, at the newly opened Independência shopping mall, Bob and I were drinking in the food court, chatting animatedly at first about soccer and the occasional girl who'd gotten him hooked on some party at Privillege or someone's mansion. Bob never lost the air of stuttering dementia with which he tried to brag, albeit amicably, promising future invitations to parties where he'd introduce me to some twentysomething beauty. It didn't take a psychoanalytic wizard to see Bob's progressive decline; his hair, already thinning in his freshman year of college, had almost completely fallen out in two or three years of living in those restricted social circles, leaving him with a meager spectacle on the back of his neck to adorn the glaring squint framed by his thick glasses. So the vacuum in which our questions and answers floated at that moment was the absence of meaning necessary for the rescue of objectivity in the terrain of the shifting action that that Friday promised: that of a tedious vital anguish of the middle class that in the hustle and bustle of the Juiz de Fora night would attempt the most difficult, in a noisy succession of beers, drinks, headlights, music and young people, until, in the lunarity of its artificial mobility, the dawn dissolved into its status quo ante without any epiphany.

"Have you seen K?" Bob asked after a while.

"I ran into him six months ago. I couldn't believe it: he said he was learning to dance forró at a studio on Pasteur Street, right next to our house, and that the instructors and students (practically all girls in the class) met every Friday night at a bar near Praça da Estação. He said he'd signed up for the forró class because he'd gone to the bar and couldn't get any girls to dance. He said the night at that bar was a lot of fun and that the number of single girls throughout the night had triggered in him the dark mental device that had designated forró class for his 'transfiguration' (laughs)," I said, partially repeating K's own words. Bob started laughing uncontrollably.


Comentários

  1. "Seriously?!" Bob said later. "So immediately! I can't imagine this! I've never heard of that bar. Let's call him. It's Friday! Let's invite him to go there tonight. I haven't seen him in a while."

    "I'll call you later," I said, and we changed the subject.

    On the day of this meeting at the mall, I hadn't yet started working with K at Agnelo's institution, and the sheer fluency of how things unfolded prevented the unity between participation and justification in a chain of relationships capable of lending predictability to the situation. Early in college, Bob was very attached to his friendship with K and often frequented the apartment on Olegário Maciel Avenue where he was married to Rafaela. --- The wildest parties I've ever been to were at K's apartment --- Bob once confessed to me

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  2. --- Remember that birthday party of Rafaela's that was practically all guys: you, me, K, and that crazy neighbor of his, Valente, who was a model photographer, and a sea of girls from UFJF, where Rafaela studied? Remember that time we were in the front room, chatting with some girls from social sciences while Valente rolled a joint as thick as a PVC pipe, while Rafaela presided over the barbecue in the back area with her friends? After the joint started burning and passing from hand to hand, a crazy blonde sat on the bed next to K and started whispering a bunch of lewd things in his ear, already completely drunk, and we all looked at each other worriedly as they started making out. Valente jumped off the floor and closed the bedroom door and stood with his back against the door and told you and I to get K out of there quickly, before it was too late and the blonde started making a fuss saying that she wasn't a rogue's woman and that no one had anything to do with what was happening there and, suddenly, she started vomiting all over the bedroom floor and passed out on the bed, sweating cold. We had to call an ambulance. LOL!

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  3. When Rafaela came into the room and asked what was going on, K, drunker than ever, looked at Rafaela and said, with barely a hint of a change in his tone of voice, "I think she's dead." He started laughing so hard that Rafaela and I had to carry him to bed in the other room. Afterwards, some people went with the blonde in the ambulance, and the party continued until morning, as if nothing had happened. I myself walked home, stumbling a lot, dragging myself along because I was so drunk, with a girl by my side constantly asking which streets were those and how to get to the bus station before eight in the morning. I'll never forget it!" Bob said.

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  4. In fact, we laughed ourselves silly over those memories. It was what truly connected us to that strange continuity between effusion and distrust that marked our relationship with K. Sometimes, however, it wasn't so easy for either of us to temper K's "outbursts" and "ruptures" with good humor, whether with ourselves, his longtime friends, or with other people in his life: his father, his girlfriend, his relatives in Barbacena, and even with people who worked with him at the Agnelo institution. Looking back, I imagined there was a trail of nightmare much greater than the one I felt, in some way, a part of. About his time in the gold mine, for example, K had said almost nothing, other than that it had been a "very hard" experience that, "fortunately, miraculously, had left him no debts to settle with the law."

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  5. That day, however, Bob and I were predisposed to only evoke the good old days at Vasco's bar, on the corner of Santo Antonio and São Sebastião streets, without fearing any surprise other than the one that a marking error in Vasco's defense could inflict on a small portion of fans spoiled by the progressive ruin of their favorite team.

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  6. However, it's important to emphasize that, at that time, K was relatively "missing." I had practically been the only one to have contact with him in the last six months, largely due to my insistence, limited to a brief phone conversation, when he actually came up with that forró lesson story without providing many details. He said he had also traveled extensively to the interior, to the region around Juiz de Fora, in the Zona da Mata, but didn't explain why. I called him several times, and his phone rang tirelessly, as if it were lost at the bottom of some river. And that's exactly what started happening again when Bob insisted I call him. Five consecutive, endless attempts resulted in nothing.

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  7. Suddenly, I remembered that, in our last conversation, K had discreetly asked me not to spread the news too much, that the Bar da Estação, where that university forró night was held, was better off without that fauna of insufferable playboys and preppy girls we knew; that it wasn't a good idea to try to mix things up at that moment, and that someday we'd go there together, so he could show me "how cool" – after that, he never called again, nor invited me out. Too late!, I thought. Bob was really determined to see him again that day, and said:

    "I'll call from my own phone."

    Then, to my astonishment, K answered the call before the second ring ended. He probably didn't know whose number it was, and decided to answer it as a "precaution."

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  8. The conversation was brief. K apparently offered no resistance or showed any annoyance. He said he'd love to meet us. The meeting was scheduled for that Friday at 11:00 PM, outside the Bar da Estação. Bob and I were pleased, even though I, silently, was intrigued by the phone calls. I thought there was something slightly off, odd, in the way we'd managed to contact him. Anyway, we ordered a few more beers and resumed our animated conversation. After we got up from the table, however, something unsettling, terrifying, actually, happened that immediately stunned us. After a thunderous earth-shaking echo that rose throughout the entire structure of the mall we were walking through, the floor shook for a few seconds, and a sudden perception of a gap between the floor and the escalator made us anxious, with the threat of a concatenated collapse of everything around us. That abrupt sinking of the newly opened shopping mall violently heightened the silence around us, and after a minute of complete immobility, Bob and I ran out of the establishment along with the panicked crowd.

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  9. When we finally arrived at Bob's house, we saw an urgent news report online that the shopping mall's parking structure had sunk a few centimeters from the base, and that Civil Defense would close it to investigate. We stopped drinking beer and opened a bottle of whiskey, killing time until nightfall, immersed in a stunned, filthy silence, contaminated by all sorts of foreboding, sighing from time to time, with no other expression to each other than the one whose muteness leads, in a blindness infused with hysteria, from the visibility of a thorny issue to the panicky invisibility whose noises hide the hum of its imminent eruption.

    At 11:05 p.m., Bob and I were there, in front of the entrance to the Station Bar, but to our frustration, K hadn't shown up yet.

    "Maybe he preferred to go in first, so he wouldn't have to wait alone out front," Bob said.

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  10. We went in. The bar wasn't very large, but what we saw right from the front door, at the other end of the establishment, under the rotating ceiling lights, is very difficult to describe in words. Or perhaps not, if I start by focusing solely on the objective arrangement of the scene: leaning against the back wall, facing the stage, stood K, motionless, immobilized in a posture that was simultaneously disinterested and terribly martial. His eyes were fixed straight ahead, but it was impossible to define what exactly he was looking at. He seemed (I repeat) absurdly detached from everything around him and, at the same time, terribly aware of every slight movement, glance, or gesture that swarmed around him. In front of him, almost glued to his body, was a row of five pretty girls, holding drinks and staring at him, a little perplexed. Behind them was another row of girls, much more numerous, and also quite pretty. They stared fixedly, sometimes at K, sometimes at whom they frowned, sometimes smiling, sometimes at the facial reactions of the girls in the front row.

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  11. Around all this, everyone seemed to be paying attention to what was happening there, it was so strange. And the weirdest thing of all: the band, on stage, while playing, could tell the audience had turned their backs, and played the song while staring at the back wall, where K was. For a moment, I thought I saw someone try to punch him in the face. The whole thing, how can I explain it, was a terribly distressing atmosphere, floating suspended on a bomb of altered nerves everywhere that threatened to explode violently at any moment. You could hear the occasional uncomfortable boy get angry and mutter something loudly, another curse "FAGGOT!", "CRAZY!", "PSYCHO!", another threaten, but all from a distance. The security guard didn't know what to do, because, in truth, nothing was happening. While there was no reason for direct aggression, most of the people there felt insulted in some unknown way. Showing excessive displeasure at what was happening sounded like an inflamed ego, a rage complex, or denial, I don't know. It was as if they were accusing K of stealing or draining something precious and indescribable from the night. What's true is that most people were internally armed against the presence of "that thing" standing there against the wall.

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  12. What was also strange was that, despite being in plain sight, K had chosen a spot in the establishment where the ceiling lights constantly flickered on and off, always in different ways. This created a truly hypnotic and dizzying effect. When, for example, he made faces, laughed, frowned—something ghostly and abusive, even I felt irritated.

    Bob and I wondered how long he could sustain this absurd situation. But once we concluded he would keep it up until daybreak, we decided to "intervene." We took a few steps toward him, but there was such a dense mass of people in front of us, separating us from him, that from where we were parked, the only sensation we had was that reaching him and greeting him in a friendly way was like, in the middle of a war, in its final moments, publicly declaring support for a common enemy that is suffering a deadly siege and that at any moment must (necessarily) fall. Thank God, he spotted us from there and made his way through the crowd with such agility, without pushing or even asking anyone's permission, that I thought I saw him passing through people's bodies like a ghost.

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  13. Bob spoke to him:

    "What about the forró class, man?"

    "I gave up," K said amiably. "It's not for me," and laughed. I wondered if he'd have been better off persisting a little longer until he learned a few moves, just to avoid the situation we'd just witnessed, stunned.

    "I discovered a Kung Fu school downtown and changed my plans a bit," K added.

    "And what were you doing back there?" Bob asked, nervously stifling a laugh.

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  14. "Nothing," K replied calmly, "just a silent conversation with the girls, a conversation, simply, as relaxed as the dance I'd given up learning. Unfortunately, in these moments, many people feel the urge to participate. The lines get busy. Beautiful bodies and faces driven by light and sound, nothing more. As Lezama Lima says in Paradiso: "The Droménon was in space like the appearance of a flower, a measure that was breathed. The body, as seen in Plato's Charmides, is the suddenness of reminiscence. The body is the permanence of innumerable tides, the form of a memory, that is, an image. In each man, this image meanders with almost imperceptible mutations, but this elusiveness has the measure of his sexuality." Because the phallic is always ungraspable, but this ungraspable is the dark color that passed into the ecstasy that spills over another ungraspable, not over the reception of the sensible that man is unaware of in his germinal return.

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  15. In fact, the noise of the music and the people in line to buy beer was so loud that I must confess that we weren't really hearing anything he was saying at that moment.

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  16. Are here!

    https://m.youtube.com/watch?v=-k4bNXObLGQ&pp=ygURU28gcGFyZW50IGNhcmNhcmE%3D

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  17. Dear brother: I celebrate you asking about the tricks and taking the freedom to move (since the diligent Héctor is not here) to other forums or blogs to find answers that benefit us --- I ask myself if there is any trick for the dialogue --- then throwing your private hats at the fire of the suspicious flyer It's late and we are also surprised by its lights on the sum of insight --- UNO NECESITA LA CONFIRMACION DEL OTHER --- a jugarreta de la imagination que al breaking forms and time, we have to believe that we see what wasn't or was not, it doesn't matter because it simply isn't and prevents us from being the moment --- And now I've definitively closed this chapter of the road of the potato where it looks like you are. “Don't obey those who are distracted because I'm influencing your heart and you're going to forget our memory --- there's no point in knowing something that can't be put into practice, on the other hand, there can't be a quiet comment that allows me to look at you through the window --- because of what you spied on, in principle, much would be left over from the exoteric and everything would be lacking from the esoteric --- you never know what this has to do with the revisions we are making ---

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  18. and gestured theatrically before the audience, seeking his intervention, his participation, that people react in favor or against --- not limited to a brutal reaction that would only consist of criticizing everything in a spirit of contradiction, but proposing, instead, a new project to lead society as a whole to a new form --- as well as a social reach and a political-spiritual dimension that attempts to account for both the precariousness and greatness of the human being as a phenomenon of extreme prodigality, intimately socializing --- GRAZZIE!)

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    Respostas
    1. incredible friendship of the cold could not be shared and was broken by our teenager, assuming it with her relatives of the wind's noise that turned the world into a single cloud (it was easier to have sex with the plant of knowledge and to deceive sea monsters and depths and abysses

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  19. VIDAL (2021)

    I don't think I can readily explain everything that happened before we reached this current situation. But perhaps it was my fault. I mean: the weakness of giving in—after more than a decade of being unceremoniously abandoned by him—to that temptation of reunion, of desperately seeking him out, with pleas, to unravel a mass of intrigues in my head. Or more precisely, to forge such a reunion to my liking, in a way that, at the very first sight of him crossing the beach street, heading for the bar, painfully revealed to me the state of dementia, of mental and emotional liquefaction into which he sank when he thought about the case. K. hadn't come to accept anything—he had arrived like a subtle tremor in the treetops, as if to rid himself (also) of some throbbing doubt from the past. On that busy weekend avenue in Ipanema, with lots of young couples in a sporting trance, he looked incredibly (after so long) like a perfect example of that fauna of tanned people puffing out their chests alongside light, slender girls in bikinis and tights...

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  20. I felt terribly old, with less hair than ever and a paunch unchanged for six years. The encounter with "old K." promised nothing good for me, I knew that beforehand—his presence there, before me, at that moment, was nothing more than a threat of instant abandonment, as sudden and unceremonious as the last one, ten years ago.

    But contrary to what I'd imagined, he didn't stand before me at that table, smiling hypocritically with an air of superiority; he even betrayed a certain caution in giving his gestures a polite veneer of availability and solicitude, perhaps due to the past rites of our friendship. The unreal in him, even, was exactly the same as it had been ten years ago: that of the mystical wanderer, trembling with the immediate need to take a deep breath, to avoid the paranoid spin around his own axis.

    "Did you arrive in Rio today, K.? It's been a while!" I said.

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  21. "Actually, a week or so ago. I happened to be in town when I received your eighth email since we lost touch. That's why I responded so promptly. I mean, the eighth email (laughs) in ten years. I didn't know you'd moved here," he said.

    VIDAL: "I became a Public Defender here five years ago. That's what I could get after all that studying."

    K: "Doesn't sound bad. Married?"

    VIDAL: "Not really. He he... I mean, something like that."

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  22. K: "I came because I hoped you'd want to clarify some things that were left behind. That's what I gathered from reading your last emails before this one. One or two things should still give you food for thought. However, I calculated correctly; none of them affected your honor as an honest citizen and your "unblemished reputation" (laughs), as they say in the legal world."

    VIDAL: "That's true, but the threat weighed on my mind for five years. I was terrified that I had ruined my professional future because of that political money you used to pay for our services through Roni's office. I suffered from panic attacks, depression, and various kinds of existential crises." When, for example, Agnelo was kidnapped and reappeared shortly before the Federal Police opened the investigation, my parents found me crouched in front of my bedroom window, on the sixteenth floor of that building on Rio Branco Avenue in Juiz de Fora, shaking convulsively and scratching the parquet floor with my bloody nails, fearing that the wind from the window was trying to swallow me into the abyss of car lights below. I was hospitalized, in a state of utter despair. When the investigation began, I was drugged on a gurney, babbling nonsense. I only left the psychiatric clinic six months later, when you had already disappeared from the map.

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  23. K: "He he... I had no idea about that. I'll have to read Heidegger again to try to understand. There's a famous passage in his work that speaks of a similar feeling of anguish, one feels when we stop before a precipice."

    VIDAL: "Judging by what happened next, I'd even say you were the one who not only stopped before, but jumped off the precipice. No one we knew knew of your whereabouts. Only two years later, César, from the office, showed me an online blog that was apparently yours. Later, we discovered a Facebook profile with your photos, but under a different name, full of rich, beautiful, and even famous girls. In some photos, you were only in your underwear. We thought you had definitely gone mad: the profile indicated that you were living in Camamu Bay and had been to Corumbá, Mato Grosso, and New York within the space of 24 hours. By God, it was really windy in that room on Rio Branco Avenue!"

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  24. K: "It's true. The blog was indeed mine, and so was the Facebook page. And what about that wind you described! The Bedouins say that, in the desert, it's the wind in their ears that drives hermits mad. It's also one of the last verses of Ezra Pound's Cantos: "Let the Wind Speak," which Uruguayan writer Juan Carlos Onetti later used as the title of his best book: "Let's Speak the Wind." Perhaps that experience of the window-precipice was the entrance to a furnace, a metaphysical crucible, a transmutation where fidelity to adolescent indecision could no longer be fueled solely by post-party boredom and beer repartee. The turbulent void buffeting tedium vitae, right? Perhaps a definitive precipice, that one, proof against reunions. Greetings and memories like fragments of leaves in the wind. A monstrous destiny that at the final crossroads is faceted in countless opposite directions while here and there, this or that survivor puts his feet back on the ground, in any place, at any time, and walks away firmly, perhaps without much desire, suspicious of every easy meaning that, from within, insinuates its hypocritical smile towards life.

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  25. VIDAL: "What seems certain to me is that you've changed very little since then, K. Where did you forget your wrinkles? It's the same hallucinatory verbal fluency that left us breathless in moments of high tension, acquiring, minute by minute, new derivations that never hide the electricity of its own snails. And yet, to this day, no one, not even the police, can say anything about that kidnapping that marked our lives."

    K: "Speaking of which, after so much time has passed since the incident, during which we haven't even spoken again, what do you think it could have been? Personally, I mean, what do you suspect? The "Party"? The businessmen of those companies? Some internal feud or personal feud? To this day, I confess I'm more ignorant and confused than the police themselves, who haven't been able to find anything. Do you think Agnelo could have faked his own kidnapping after the media began pressuring the ministry and the NGO on national television? It all happened shortly before the house completely collapsed and the arrests were made. And then?

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  26. VIDAL: "Are you kidding, KM? No one can answer these questions better than you. I was in there the whole time, with permanent and unrestricted access to the director's office. What's more, I was constantly fighting and pressuring Agnelo and those party people. I think that's why we got away with it. If the whole thing had gone their way, paying us peanuts and meddling in our notices, turning the bids into a house of rigged cards with the jackpot distributed under the table as the Party pleased, I'd be screwed today. We might have all been arrested. And there was no way out, even though we used Roni's office to sign notices and other official documents. My name, despite being the legal brains behind it all, never appeared on any documents, unlike yours, who was the auctioneer. It was a difficult time in my life, because I had to study for public service exams, and at the same time, my parents were broke. I didn't have money for a beer. I needed that money, that job to survive.

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    Respostas
    1. VIDAL (cont): After I left the psychiatric clinic, for example, I could only follow the case through the newspapers. In fact, that's how I learned that a former college professor of mine had taken on Agnelo's defense and that the investigation was being conducted under seal. I won't lie, I felt enormous relief. But I only really began to recover from the shock one morning when, after having coffee at the bakery next door on Rio Branco Street, I ran into him leaving the courthouse and we exchanged a quick word. I mentioned briefly that I had provided minor, unimportant services to Agnelo's institution, and he understood that perhaps he was worried. Despite everything, I didn't want to delve deeper into the conversation. Before we said goodbye, however, I asked him about yourself:

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    2. VIDAL (cont): "Sir, can you tell me if K.'s situation in the investigation is very complicated?" Then, to my surprise, he looked up and down the street, opened his briefcase, looked at some documents, put them away again, and asked, genuinely apprehensive: "K(?!) Who is K(?!)?" Then I understood. I felt enormous relief. He said that perhaps he had mixed up the names, that if he, who was on the case, didn't know, it didn't matter at all. His job at that moment was limited to trying to prevent the arrest of a bunch of wealthy communists, nothing more. I wondered what beach in Salvador you must have been relaxing on at that moment. Probably laughing at all of that. At me, too."

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  27. K: "LOL! That's not true. I wasn't laughing at anyone, and I certainly hadn't gone to the beach. But before I left town, I ran into your mother on the street. I asked about you, but she couldn't, or wouldn't, explain anything properly. She said you'd moved to somewhere in Rio de Janeiro. She barely said a word, and walked straight on. I sensed a certain resentment in the air, a certain loathing for me. Proof of this is that she didn't even mention our chance encounter to you."

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  28. This was more or less the epitome of our first hour of conversation, in that bar in Ipanema. By no means, however, had the topic vanished. After a lunch break, we began to generalize, in a level, impersonal voice, and widen the circle of emptiness around us. For half an hour, I didn't try to break the closed-off atmosphere with which he dodged personal questions. I felt it might become unbearable to realize how far he was capable of taking his evasive attitude. Was he dishonest? I wondered. I didn't think so, on that violent, sunny morning, silently reminiscing about some of his past events and attitudes. Perhaps he was selfish, lonely, self-sufficient, incapable of genuine friendship. His comments on my cues were slow, he constantly took refuge in literary quotations, in elusive and borderless regions of language, which disguised his true thoughts with bizarre directions suggested, glimpsed and then blurred by all kinds of jokes and self-parody.

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  29. The only personal memory I'd allowed myself to discuss sincerely up until that point was that of my father, whom I'd known well and with whom I'd often chatted animatedly over drinks about politics and soccer, even though we thought quite differently. I conveyed my deep regret to him when he said that Ucello (Le Blonde) had "perished" (in his words, K) after being "eaten" (ditto) by "head and bladder cancers." The way he put it, it somewhat diminished my inner calm and heightened my sense of helplessness and desolation—feelings that recurred in K's company. That man seemed to have a love affair with emptiness; suddenly, while talking to him, he'd stare into the distance and mentally withdraw from everything around him. I tried to escape that principle of dissociation that the lively, frenetic part of him sought to impose on the conversation, liquefying what we were and had experienced with topics taken from the newspaper I carried in my briefcase.

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  30. Respostas
    1. ME ET ALIEN

      (There was a tower movement ahead; then publications regarding—then some points of view for systematization, etc.; they wanted nothing to publish, no, they were already furious, they thought it was all an exemplary illusion of diplomacy; they wanted only the core veiled in farce, to write their monologues with indecisive pride. For conversations for cobwebs, stuck in inconsequential matters! The rejection, the gloom that darkened, making shards. Fatigue and renunciation of reciprocity. The desire for satisfaction before awareness of needs. The guiding instinct should come to the rescue while the "evaluation" was being made. If one waited without a deadline, they ended up in nothing, only "left." In moments of crisis, thoughts do not develop consecutively, but rather flood us in waves of intuition and experience; it is the desire for action before words, which rejects gradualism and demands action. Defending is always an immediate obligation in militarism, rejects the disguised change that clutters so many diplomatic importances. Opposing the world with snail-like ears and sunken eyes, they swore by the poison in flowers: "We all have to do something risky now and then—occasionally!" Complaints, distrust, loathing, and speculation were few and far between in this field, expecting something different, deferred from all dealings. And in what they spit, they disappeared anyway........................

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    2. ....................And with the sincerity of an unhindered mind, they abused the price of each bargain, keeping in view the first-hand account of a governance that extended the power of space for the talk, the talk of all fame. "Life is debts. Very long things." When the scale of everything became exaggerated, the danger was made to flee to defend the heavy things in the head. The quagmire, the blow, what burns in foreign policy. By fanning doubt into an inquiry that fizzled with such certain uncertainty, in the ultimatum they would certainly err again (no one knows how or with what power of means they would err). In theory, there was no point in distancing the uncoordinated parties so much from what they wanted to avoid in favor of a small arrangement of such fragile advantages. Instead, they invented what they understood as a malicious addition of information.

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  31. INGENERATUS

    You've shed a very good light on us.

    We were unaware of this genesis.

    I know I'm harping on the question of the moon landing, but this is beside the point.

    Metahistorically, mythically, and according to Indo-European etymology, the relationship between MOON and FRIENDSHIP is so symbolic and intertwined that it's enough to engrave a plaque on MOON, MAN, MIND, MUSIC, MUSE, etc., MONTH, MENSTRUAL, etc.

    We know that neither MOON nor MAN, in more ancient Latin times, were called that way, and that they began with M...

    Moving away from the morphological, the MOON, the STARS, and the SOUL are symbolically sometimes related, sometimes identified, and FRIEND comes from AMICUS, which comes from ÁMIMA and CUSTES, the one who GUARDS YOUR SOUL, the one who CONSIDERS you, and, etymologically, CONSIDER means TO BE IN THE STARS, WITH THEM... In symbolic reality, FRIENDSHIP IS A MOON WALK.

    Thank you.

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  32. I ME EU

    Some voices invited to contribute several times.

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  33. INGENERATUS: that 's you not me

    EU: true

    (Life is a disease of the spirit (Gerárd de Nerval), a complete capitulation (E.A. Poe), an accident (Matgioi), a usurper who holds false power; a sorceress who deceives our spirits as if we were powerless.)
    Does this poem by the DEMIURGE "SEGROB" (Jorge Luís "Borges" in reverse) illustrate anything of this?

    How can I hold their attention?

    I offer them languid streets, desperate twilights, the moon of the ragged suburbs, the moon in the gutter of David Goodis.

    I offer them the bitterness of a man who has long admired the lonely moon.

    I offer them ancestors, dead men, the ghosts honored by the living in bronze and marble: my father's father killed on the border of Buenos Aires, two bullets in his chest, bearded and dead, surrounded by his soldiers in the chorus of a cow; my mother's grandfather --- only twenty-four years old --- leading a company of three hundred men in Peru, now only ghosts on faded horses.

    I offer you everything there is in my books, everything of manhood or humor there is in my life.

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  34. I offer you the loyalty of a man who was never loyal, and the reality that was never real.

    I offer you this center of myself that I somehow managed to save, the center of my heart that cannot be treated with words, that does not traffic in dreams, and that remains untouched by time, joy, or adversity.
    I offer you the memory of a yellow rose seen at dusk, years before any of you were born.

    I offer you explanations of yourselves, theories about yourselves, authentic and surprising revelations about yourselves.

    I can give you my solitude, my obscurity, all the hunger of my heart. I am trying to bribe you with my greatest uncertainties, with danger and defeats.

    Perhaps all this has something to do with the Gnostic thesis recalled by Max Scheller, that the SPIRIT here is weak, ineffective, lacking all power; that the sublime, infused and holy eloquence of the Pneuma, of the Nous, of the Logos can do nothing against the weight of deluded and castrated matter in the center of fantasized needs and conveniences.

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  35. Respostas
    1. Lastima, bandoneón,
      my heart
      you snort an evil curse...
      Thou tear of ron
      take me
      up to the bottom
      where the clay rises.
      Don't tell me! You're right!
      Life is an absurd legacy,
      y is all so fleeting
      that you are a Kurd, nothing bad!
      my confession.

      Tell me you condemn,
      decide you fail,
      Don't you see the pity
      What have you inherited from me?
      And just talk to me
      of that absent love
      Brings back a glimpse of the forgotten.
      I'm sorry for you!
      If it hurts you
      reading my wine sermon!

      But it's the old love
      que tiembla, bandoneón,
      and search for the liquor that stuns,
      la curda que al final
      finish the function
      Running a phone to your heart.
      A little memory and distaste
      gotea, you rezongo slow.
      Marea your liquor and carry
      the troop of the zurda
      to return the last Kurda.
      Close the wind
      that drags the sun
      your slow swine curl,
      Don't you see that I come from a country
      that is forgotten, always gray,
      behind the alcohol?...

      Excluir
    2. LIKE ME DON'T LIKE ME
      Return to top Go below

      Life is an absurd legacy!

      Carlos said that Don Juan liked this song very much:

      Useless hope
      flower of deconsuelo
      why do you chase me
      in my solitude.

      Why don't you want me
      hold on to my dreams
      in the bitter cup
      of reality.

      Why don't you kill me
      with a mistake
      Why don't you tell me
      with a lack of love.

      Useless hope
      if you see that I'm wrong
      why don't you die
      why don't you die
      in my heart.

      Useless hope
      flower of deconsuelo
      why don't you die
      in my heart

      This is another one that DJ liked: I thought this was a description between the warrior and the double:

      Nocturnal

      Through the palms
      What peaceful duermen
      The silver moon
      Hang out in the tropical sea
      And my arms stretch out
      Hambrientos in search of you
      At night a scent of flowers evokes
      You intoxicating alien
      And the sweet kiss from your mouth
      And my lips wait thirsty
      A kiss from you
      I feel like you're next to me
      But it's a lie, it's an illusion

      Ah aaaaahaaaaah!

      And so I spend the hours
      I spend the night
      Wondering about his life miracle
      To be next to you
      And maybe I don't want it
      In your sweats
      Stay safe from me

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  36. EU

    Thanks Inge --- but that's too Mexican --- everything that isn't Toltek in Mexico is too Mexican for my taste.

    LOVES ME NOT – LOVES ME WELL: now she really hesitates at the beginning of the conversation, and then, disguising herself a thousand times, tries to reach ONE VOICE, ONE SKIN, with A CONFIDENCE worthy of a shimmering strawberry jelly forgotten in the fridge for months --- while the one approaching (ME?) is gaining her sleep-inducing surrender and concluding that fruity was also her space, not her condition as a woman, fruity her laziness by the edge of that pool, her stinging wall of gazes undone under mine, her calm advice and illusory cotton of carnality. That hotel at night was like a chalice-room of an empty, grailless escape --- the seconds there were pre-Socratic Greek, the minutes Roman after Christ, the hours irrevocably Neolithic, and the days almost Jurassic. Yes: and the madness there was the temptation to be completely the power of time, its histrionic divination sucking from the caress of successions the outline of a vain answer to everything)

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  37. INGENERATUS

    Water you won't drink, let it run.

    It's well known that René Guénon used the mistakes of others to show the right path. Discrediting others to gain one's own merit is similar. While one is despicable, the other is admirable.

    I admire the path René Guénon took, if only in part. I say in part because it's impossible to agree 100% with someone; only God gives such unity. Furthermore, several writers corrected him. And that correction shows that he was capable of rectifying. This is very important. If there's one thing that differentiates true wisdom from false wisdom, it's the ability to rectify. And here, too, we must differentiate: "There are those who preach tolerance (they give the impression of admitting error) until they dominate, then they silence the good." Beware, the sword cuts.

    With this introduction, I will try to join the bandwagon (this 2d space is one, as it is guilty of excessive irony and horse trading), of René Guénon: "Point out the error and mark the right path."


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  38. INGENERATUS

    About how the price of the basket and absolutely everything goes up, and so on, a very long etc. like that huge piece of shit you wrote with your stupid face ---- TO THE DISILLUSIONED GROOVE -----

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  39. THE DISILLUSIONED GAUNTLET

    (I tried to start over by tremblingly placing myself in the hands of a guy who seemed capable of imitating the poster of Destiny, and in less than a month I found myself reduced to an anguished and servile witness to a sterile amorous hell within which there was no possibility of projecting myself into life for my own ends --- what I wanted before (unconsciously?) was just a minimal chance of overcoming my dependence; this fear that, without sexual intermediaries, I was forever condemned to live life less than any other woman (internally or externally) --- in those moments when I went out for a coffee, in the middle of the workday (I work in an accounting office), and an amnesiac light passed over the inner walls of my closed eyes, I saw myself amidst intertwined flames, avoiding old friends with disdainful smiles and crashing psychologically against my "new love," with a kind of backdrop of the failed previous love, even more oppressed by the idea that I was now making of myself of these "two nothings" of my life, incapable of conceiving for myself (with real love) a captivating autonomous existence ---

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  40. --- certainly, no man takes long to tire of me (I admit), and once abandoned, I float aimlessly for a few days, between confused memories and vague premonitions and, soon, I am nothing anymore, not even a semblance of myself --- I then think about the life I had been living until now and everything seems reduced to a barely passable path, of which, with supreme resignation, I kept in my memory only a silent image, a mental cup from which I drank small daily sorrows like my boyfriend and his friends drank beer at happy hour in bars --- life had now inflicted this on me: and it was still renouncing the remains of all my life projects that I stared at my swollen and worn face in the mirror at home, incapable of conjuring up the ideal image of a new, real love --- the unnerving vagueness of no longer being able to take refuge in any delirium capable of promising me security, or of imagining possibilities of taking advantage of some wealthy young man, perhaps bored and full of tenderness, crazy to love, naive to the point of extracting from the restless and false hours in which women forge their love commitments with men a docile friendship, conducive to delicate benevolent maneuvers ---

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  41. --- I admit: it's almost impossible for me to play this skillfully anymore: amid the desperate demands that erupt in a DR, the unattractive scenes of a non-love full of vagueness and stupidity, I failed to make myself desired by other men while my own man lost interest in me --- how bored my boyfriend seemed, the week everything between us ended; and I, who seemed like a mute thing that had just been rubbed against the bedroom walls, to produce irritating and secret sparks capable of giving me back (along with him) some prestige that didn't require separation to make me less bland and boring --- jealous, they value us again; but they are always high-risk maneuvers, those that produce perfect jealousy --- quickly, it grips us from the breasts to the center of the head, the coexistence with nervous loss of control and the ritual failure in the conservation of love and sexual appetite --- and now, I find myself (I'm not even forty years old yet) in a period of life full of tiredness and inability for futile and zealous cares, I can't even lend a tragic seriousness to the failure of my love life --- in my life everything that refers to love and sex has become a uniform and innumerable mass of sameness and vain effort --- for no man have I managed to become the image of the "Other who attracts" ---

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  42. --- the Other (not necessarily an adulterous rival) who habitually floats in the ambient atmosphere of days and places, who in any man's mind is that unattainable succubus who always shows him the opposite of the correct amorous facades that we are, the devoted lovers who combat this "danger": that of the revelation, in the Other, of climates and occasions, of flashes of body parts and behaviors of which we, those bowed down by the weight of normality and repetition, are generally ashamed --- the Other always felt in our relationships as a succubus who threatens us with the deception of our entire life; a threat that overwhelms us with the display of every moment of our intimate combat --- the bitter feeling of our dependence and fragility, and of the apprehensive waiting for the blows of fate: according to Simone de Beauvoir, in The Second Sex: "(...) a coveted woman is immediately metamorphosed into a desirable and desired object; and the scorned lover 'returns to vulgar clay.' That's why she's always alert, on the lookout. Wondering: What does he do? What does he look at? Whom does he talk to? What his desire gave her, her smile to Another can take away. An instant is enough to hurl her 'from the pearly light of immortality' into the 'daily twilight' ---

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  43. --- our neurasthenia increases and he ends up looking for Another anyway, even if it's in dreams, while we ruin our lives with the tortures of jealousy and repressed guilt: --- Does he really like someone else or... --- His diminished sexual ardor towards us represents a... or... I invent rivals that don't exist or... there is certainly always an indefinite wait when everything starts to go wrong and we activate our ability to create intrigues in which we can "catch" him little by little, until (repugnant truth!) we lose him completely at the height of this black magic --- because all these bad premonitions quickly degenerate into an asylum-like distrust, when the lack of time to receive nuanced answers from him precipitates us into an avalanche of inquisitorial questions that (we know) he has no way or reason to answer --- the silences then speak, we interrogate the air and the void and, unconsciously, we fall prey to an alien mind that pretends to be ours only for an evident, devouring reason --- then, all our freedom is degrades into this embedded and submissive condition, which has nothing to do with loving relationships)

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