Count the present days until today arrives ( A CERTAIN CHARACTER TO BE NAMED)
(I need to get better soon, that's why I traveled here --- I think about how every hour, every day of my life, with all the suffering I escaped in Spain, searching in the sleepy tropical beauty of these mornings, with extreme self-care, for a rough, sunburned mask --- my lower lip still trembles, in these first hours in the hotel, leafing through my book of prose poems filled with red pen highlights and my notes in the margins, with a grimace that is simultaneously frightened and malignant, a remnant of Moorishness and fertile pride, of literary conception to the thin sound of the vihula, followed by an inarticulate mental sound in my head --- my slow, heavy walk across the balcony is like the walk of a librarian lost in a Borgesian sky, abstractly holding a cup of coffee. Perhaps I still imitate my walk in that small room in Ávila, cluttered with books and folders, stacked papers and clippings from weekend literary supplements, in which I I furiously researched the genealogy of poetry contest prizes I hadn't won, the public honors and notoriety that had eluded me, perhaps due to some stupid oversight, some ridiculous detail in the last revision of the book, I thought: that characteristic smell of an old library expressing the totality of my hesitations in a totally abstract framework of indignation --- how disappointed I was! Lygia and I, for example, have been friends for years, she has always behaved like an intellectual disciple of mine, and yet she fixed me with a mischievous little face, when handing me her prize-winning volume of poetry; and by God! : how beautiful she was that afternoon, she had just arrived from the club, the bookstore, the launch cocktail party, where probably, absorbed by the silence, my half-forgotten NAME, and all those movements of my soul in writing, in a space eager for publicity and self-promotion, eager with hunger to exist before others, had been completely neglected between glasses of wine and chunks of pâté --- the core of my origin reduced to the non-figurative, the unnamed, the Luciferian "non-con-sided", expelled from the heavens and the stars --- unremembered, uninaugurated, necklace of discredit and desert to cross ---
continue in the comments.
----consumed by Nothingness in the density of so many mouths that two years ago seemed intent on detecting my experiences, the closed secret that my verses, freed from the modesty of newspaper interviews, disguised with a strangely nauseating modesty in speaking about myself and my literary ambitions with such gratuitous voluptuousness in the face of the sensation of glamour --- "What is my creative process?" they asked me: "Well (I smiled disdainfully, self-confidently) Since my first award-winning book they have accused me - inconceivable, it seems, here in Spain - of a campaign against lyricism. The element of my poetry that truly escapes national sameness is that of confronting the objective image, the emptiness of Castile's dilated space, the masculine mystery of Spain in the desert of God. Or as my editor suggested, when presenting my book as a poetic landmark of rupture with tradition: 'Intimate substratum of a subtle fire that elides the superfluous, like a corrosive poetic ore underlying Castile that, concentrated in a minimal point of self-awareness, seeks to make the harshness of the Absolute didactic' ---
ResponderExcluirContinue in one minute
ResponderExcluir
ResponderExcluir--- From that day on, all literary critics in the country, and even in Argentina, took horribly offense, understanding that the 'superfluous', for me, 'was lyricism', 'the worn-out lyricism rooted in the drowsiness of repetitive lives' --- So, this nerve was exposed in a harsh tone, until --- WAIT!, my phone rang: --- Hello? --- "It's me, Ferraz. Don't you feel like getting ready and going out? We have the whole day free to explore beaches, each one here has its own restaurants of varying reputations. I want to do you the honors, after all" --- "That's very kind of you, Ferraz. I'll be ready in half an hour'' --- (when Ferraz honked at the hotel entrance, I was still locked in a hostile distrust, fearing anyone who fit perfectly into a perfect situation, at a time when the world of life seemed out of place. The beach he took me to was beautiful, chic, like an Indonesian idyll from a movie, and under a kiosk right next to the white sand, we chatted between two glasses of white wine:
--- "We all have our high points in life, or in our careers, when we realize we're good at what we do. But we won't necessarily be at the top all the time. There's a feeling, suddenly, when we publish a book and realize it will be ignored. In fact, the more the number of writers grows, the more widespread this feeling becomes. However, no one enjoys giving up something they're so passionate about" (Ferraz said) --- And what's the fun in that? (I retorted, unwilling to agree with him) I trust my instincts, I want to return to the laurels of the literary world, after all, it's my little world (at the end of the wooden table, Ferraz suddenly looked into space: in silence, he chewed a strip of steak, and threatened to type something on his cell phone) --- ''The most critical moments in an important literary meeting are those immediately after the majority of the discussion table has given up under the yoke of some occasional celebrity, who unconsciously dumps consensus on everyone that depresses the aspirations of small eminences grises, and who came there only to, in an easy and cheap way, subject everyone to the pseudo-virtues of his lucrative work, from which he also hopes to excrete a ''personal philosophy'' capable of ''guiding beginners'' ---
ResponderExcluir
ResponderExcluir--- (at that point, it seemed painfully clear to me that, through negligence on both our parts, the fine palate for the subtleties of the writing craft was all but disappearing from our table, and rapidly tending toward a prolonged drunkenness --- chatter and cheap oil changes, Ferraz!, when I asked him to take me back to the hotel, he seemed moderately devastated --- not a caress, not a kiss --- I was nowhere near like the women he used to date, especially after the failure of his last book --- "I'm not complaining (he said later) That's in the past and we're in the present" (but there was a weight on his conscience, a shattered illusion of summer love that was destroying him at that moment --- I felt strangely good realizing that it was my fault)